Tuesday, October 27, 2026

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Barry J. Brock’s Killing Juliet pits Shakespeare against his own star-crossed lovers

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Barry J. Brock’s Killing Juliet pits Shakespeare against his own star-crossed lovers

What happens when the most famous doomed lovers in literary history refuse to die? That is the premise driving Barry J. Brock’s newly completed screenplay, Killing Juliet, a feature comedy set in 1595 Elizabethan London that recasts the writing of Romeo and Juliet as a battle of wills between a playwright, a monarch, and two fictional characters who will not accept their tragic fate.

LOS ANGELES, CA, UNITED STATES, October 27, 2026 /EINPresswire.com/ — The story imagines Shakespeare premiering Romeo and Juliet as a comedy where the lovers survive and their families reconcile. Queen Elizabeth I rejects the happy ending as dishonest and commands him to kill both characters. Before he can rewrite their fate, Juliet appears in his study to argue her case, and Romeo soon joins her, leaving Shakespeare to negotiate with the very figures whose destinies rest in his hands.

Juliet’s defiance pushes the narrative well beyond its comic setup. Intelligent and outspoken, she refuses to be reduced to a symbol and demands that any tragic conclusion preserve her dignity and carry genuine emotional weight. Romeo, meanwhile, schemes to escape their destiny, while Shakespeare’s increasingly frustrated theater company—including Richard Burbage and comic actor Kempe—pressures him for a final version they can actually stage.

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The screenplay weaves between backstage chaos, heated debates in Shakespeare’s study, and confrontations with the Queen. Alternate endings range from a wedding to a bakery, turning the hunt for a satisfying resolution into a series of theatrical experiments. Beneath the humor, Killing Juliet examines artistic ambition, the strain of pleasing those in power, and a writer’s duty to the characters he creates. At its core sits a question: what makes a story endure through an audience’s recognition of love and loss?

The script has already earned Best Comedy Screenplay honors from the Tokyo Film Awards and the Los Angeles Movie & Music Video Awards. Brock’s other work includes After the Bitter Winter, which won Best Drama Screenplay at the LA Film & Documentary Award and Best War Screenplay at Best Script Award London.

About Barry Brock

Barry J. Brock, Ed.D., is a screenwriter, educator and retired U.S. Navy officer with more than 25 years in higher education. He directed medical-service operations in Kuwait and Afghanistan and taught Business, Public Administration and Health Sciences at Barry University. His screenwriting spans historical stories, drama, comedy and horror, including Unfathomable, a historical feature based on the life of Civil War hero Robert Smalls.

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Why it matters: Killing Juliet flips a cornerstone of Western literature into a meta-commentary on creative control and artistic compromise—themes that resonate with any writer, filmmaker, or storyteller navigating the demands of audiences and authorities alike. Its festival recognition suggests a growing appetite for clever, character-driven twists on familiar classics.


David Hall

David Hall

David is the senior editor at TodayInCinema. He has a background in journalism and has worked with various media outlets, covering topics ranging from box office analysis and film reviews to awards season and streaming industry news. When he is not writing, David enjoys reading, hiking, photography, and exploring new coffee shops.


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